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Milan Marković Matis – Страна 4 – Blog?

He Proclaims Uhuru – Brenda McNary

Understanding Caliban as a Speaking Subject Revising William Shakespeare’s The Tempest, Aimé Césaire wrote A Tempest as a proclamation of resistance to European cultural dominance—a project to “de-mythify” Shakespeare’s canonical text. In A Tempest, Caliban attempts to authorize his own freedom by speaking it, positioning speech as a tool to empower the colonized. By placing Read more about He Proclaims Uhuru – Brenda McNary[…]

A tempest – Aimé Césaire

Une Tempête („A tempest“) is a 1969 play by Aimé Césaire. It is an adaptation of Shakespeare’s The Tempest from a postcolonial perspective. The play was first performed at the Festival d’Hammamet in Tunisia under the direction of Jean-Marie Serreau. It later played in Avignon and Paris. Césaire uses all of the characters from Shakespeare’s Read more about A tempest – Aimé Césaire[…]

Pisanje „Teoreme“ #2

Odeta              Bio je jedan period, kada sam imala desetak godina, kada sam svuda sa sobom nosila Freni i Zui, bila sam opsednuta tom knjigom. Bila sam potpuno svesna da je Selindžer pisao samo za mene. To nije bilo nešto što sam ikada dovodila u pitanje, ja sam to znala, od malena – da naša porodica nije obična porodica, da smo drugačiji od drugih porodica – iako to nije bilo nešto o čemu se ikada glasno govorilo, znali smo, svi smo to znali. […]

Pisanje „Teoreme“ #1

5. podatak: Klasična umetnost
posmatramo Lučiju, ženu u najboljim godinama, kako sedi na verandi i čita knjigu i svesni smo da naš pogled nije nevin, svesni smo dakle i njenog tela i našeg pogleda koji prelazi preko njenog tela, od dugog vrata, bademastih očiju zagledanih u knjigu, nežnih i prefinjenih ruku koje tu knjigu drže, do nogu prekršenih na hoklici i dosade koja njeno telo prekriva kao najfiniji parfem kupljen u Acqua di Parma u ulici via Gesù blizu ulice via Monte Napoleone u Milanu, […]